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When Tayshia Adams provides out her closing rose on tonight’s season finale of “The Bachelorette,” she’ll be carrying a robe by Randi Rahm, a franchise favorite for main moments starting from premieres to proposals.

Over the previous decade, the New York designer has outfitted over a dozen of Bachelor Nation’s contestants and leads, and even created wedding ceremony dresses for “Bachelorettes” Ashley Hebert and Rachel Lindsay.

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Rahm informed Page Six Style that she works intently with the present’s longtime stylist Cary Fetman to decorate the main women — every of whom handpicks what she’d prefer to put on onscreen.

“Thousands of pieces come to [Fetman]. And then the ‘Bachelorette’ goes through these pieces and selects things that she wants to try on, that she’s attracted to,” Rahm defined.

“It’s an organic process. [The wardrobe] is not picked for her — she picks what she feels comfortable in, and then the master stylist styles it for her, so that she can look the best she possibly can in something she feels good in.”

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Randi Rahm in her New York City studio.
Randi Rahm in her New York City studio.
Courtesy of Randi Rahm

This season, Fetman and Rahm had the distinctive problem of dressing not one, however two “Bachelorettes,” after authentic lead Clare Crawley got engaged to Dale Moss and Adams stepped in to fill her stilettos. And that’s no small feat whenever you’re coping with dresses that may take weeks upon weeks to make.

“It could be anywhere from 250 hours to 800 hours worth of labor and work,” Rahm shared of the time required to finish one in every of her couture creations.

“It depends on the intricacy of the beading and the embroidery and the stones and things like that. If a client is purchasing one of these gowns, it can take [around] eight months, with all the fittings. It’s like a painting, or like a puzzle — you’re putting each piece slowly together, specifically for that person.”

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And all that craftsmanship comes with a hefty price ticket.

“A haute couture piece can range from anywhere from $15,000 to $150,000,” Rahm revealed, including that whereas the “Bachelorettes” don’t pay for his or her dresses, in addition they must return them after the digital camera have stopped rolling.

As Chris Harrison would say: “Take a moment, say your goodbyes.”

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Below, Rahm discusses her favorite “Bachelorette” designs through the years.

Ashley Hebert, 2011

Ashley Hebert in the season finale of
ABC

“The dress she wore when she got engaged was a very special feathered pink beautiful airy gown,” Rahm recalled of this $16,790 stunner. “And they walked right into the water. In the gown. In feathers, no less! But it did recover. And it was a wonderful moment.”

JoJo Fletcher, 2016

JoJo Fletcher in
Instagram

“That happens to be one of my favorite shapes. It’s more of a structured fit and flare,” Rahm mentioned of this blue fishtail quantity, which required its personal suitcase to move. “The dress was beautiful, but it wasn’t wearing her — she was wearing the dress. And that’s what makes a beautiful look.”

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Rachel Lindsay, 2017

Rachel Lindsay in the season finale of
Instagram

“The finale dress weighed like 30 pounds,” Rahm recalled. “It was this solid geometric tight pattern of squares in silver beads, and it had a very, very, very high slit. [There was,] I would say, more than 600 hours of beading on that dress.”

Added the designer, “Rachel was a great fashion person — she wore fashion well. Certain people just really feel it, and she did.”

Becca Kufrin, 2018

Becca Kufrin in the season premiere of
ABC

“That’s our Diamond dress,” Rahm mentioned of Kufrin’s premiere look, reportedly price $22,000. “The original dress I made for the Oscars [with] $2.5 million worth of real diamonds … Maria Menounos wore [it] on the red carpet. It was a shape I really loved, and the same season, I made one in Swarovski crystals. There’s always an iteration of the Diamond dress in my evolutions — that’s what I call my collections, because we’re always evolving.”

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Tayshia Adams, 2020

Tayshia Adams in
ABC

“That’s our Rachel gown, and I was so happy she pulled that gown,” the designer mentioned. “It’s a complete different style than anyone’s ever worn on opening night, and with her gorgeous tone of skin — she has the most gorgeous coloring I’ve ever seen — she’s like a blank canvas. Anything you put on her — pink, olive green, coral — she is just gorgeous.”

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